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・ Karl Engelbrecht Hirn
・ Karl Engelbrektson
・ Karl Engemann
・ Karl Engler
・ Karl Erb
・ Karl Erik Bøhn
・ Karl Erik Flens
・ Karl Erik Harr
・ Karl Erik Rimfeldt
・ Karl Erjavec
・ Karl Ernst
・ Karl Ernst Adolf von Hoff
・ Karl Ernst Claus
・ Karl Ernst Jarcke
・ Karl Ernst Krafft
Karl Ernst Osthaus
・ Karl Ernst Papf
・ Karl Ernst Rahtgens
・ Karl Ernst Ranke
・ Karl Ernst Theodor Schweigger
・ Karl Ernst von Baer
・ Karl Ernst Wilhelm von Canitz und Dallwitz
・ Karl Ernstberger
・ Karl Eschweiler
・ Karl Esleeck
・ Karl Espley
・ Karl Etlinger
・ Karl Etzel
・ Karl Eugen Guthe
・ Karl Eugen Hammerstedt


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Karl Ernst Osthaus : ウィキペディア英語版
Karl Ernst Osthaus

Karl Ernst Osthaus (15 April 1874, Hagen – 25 March 1921, Merano) was an important German patron of avant-garde art and architecture.
In 1902, Osthaus founded the Folkwang Museum in Hagen, Germany. After his death, the city of Hagen was unable to purchase the museum collection and in 1922 Hagen was outbid by the neighbouring city of Essen which now houses the Folkwang Collection. A separate museum survives in Hagen, the Karl Ernst Osthaus-Museum.
Osthaus was a notable patron of the European avant-garde. Although in his early life he tended to German nationalism, active in the ''Alldeutscher Verband'', the Pan-German League, and supporting figures such as the Austrian Georg von Schönerer, Osthaus's nationalism became tempered with interest in transforming Hagen and Germany into the leading centers of the European avant-garde. Under the guidance of Henry van de Velde, Osthaus began a collection of European modernist painting that comprised one of the first purely modernist collections to be open to the public. The Folkwang in Hagen sponsored some of the earliest exhibits of Expressionist painting, and the collection early on included works by Ernst Ludwig Kirchner, Emil Nolde, and Christian Rohlfs and work by non-German artists such as Aristide Maillol, Jan Thorn-Prikker, and Henri Matisse.
Osthaus also attempted to spark interest in avant-garde architecture in Hagen. In this regard, he encountered many frustrations. In some ways, the story of the projects that were not built is more interesting than the projects that were built. Major architects including Henry van de Velde, Richard Riemerschmid, Peter Behrens, and Walter Gropius were all active in Hagen. A small artist colony also emerged including the sculptor Milly Steger, the Dutch artist and theosophist J.L.M. Lauweriks, and a score of figures important for Hagen's local cultural history.
Osthaus's Jugendstil villa, the Hohenhof, is one of the most important examples of bourgeois Jugendstil architecture in Europe. It was recently renovated and is open to the public.
== External links ==
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